Box Office: ‘Ghostbusters: Afterlife’ starts strong with $44 million, ‘King Richard’ whiffs

FILE PHOTO: Actor Celeste O’Connor poses for photographers as she arrives for the world premiere of the movie “Ghostbusters: Afterlife” in Manhattan, in New York Metropolis, New York, U.S., November 15, 2021. REUTERS/Mike Segar/File Photograph

The field workplace ain’t afraid of no ghosts.

“Ghostbusters: Afterlife,” a sequel to the sci-fi comedy traditional, collected $44 million in its opening weekend, a better-than-expected outcome. It’s an indication that household audiences are keen to go to their native movie show, supplied there’s one thing broadly entertaining to be discovered there.

On the worldwide field workplace, “Ghostbusters: Afterlife” earned $16 million from 31 abroad markets, pushing its worldwide complete to $60 million. The most recent installment within the decades-old franchise is wanting like a win after the studio didn’t revive the supernatural sequence years earlier. It needs to be famous that Sony’s 2016 all-female reboot of “Ghostbuster” opened to $46 million, $2 million greater than “Afterlife.” Nevertheless that movie value $144 million — in comparison with “Afterlife’s” $75 million finances — making the sooner model a field workplace dud.

However regardless of rapturous critiques and Oscar buzz, the Warner Bros. sports activities drama “King Richard” grew to become the most recent adult-oriented drama to crumble on the field workplace. The movie, starring Will Smith as the daddy of tennis legends Venus and Serena Williams, eked out a meager $5.7 million from 3,302 venues in North America. It might be barely untimely to name it an out-and-out bomb as a result of Warner Bros. is releasing it concurrently on HBO Max, which doubtless minimize into ticket gross sales. It was embraced by audiences, who awarded it an “A” CinemaScore, which means “King Richard” might construct steam as word-of-mouth grows. Oscar pundits imagine the film might discover itself within the awards race, one other issue that might lengthen its life in theaters. The movie wasn’t low-cost; it carries a $50 million manufacturing finances. Plus, Smith acquired his full backend field workplace bonus along with his $20 million wage as a make-good for sending the movie to HBO Max.

“King Richard” landed in fourth place on field workplace charts, behind holdovers Marvel’s “Eternals” and Paramount’s “Clifford the Big Red Dog.”

After two weekends at No. 1, “Eternals” slid to second place, gathering $10.8 million from 4,055 theaters. To this point, the superhero epic has generated $135.8 million within the U.S. and Canada and $200.3 million internationally. In the meantime, “Clifford” pulled in $8.1 million in its second weekend of launch, pushing the household pleasant movie to $33.5 million in North America.

Warner Bros. sci-fi spectacle “Dune” rounded out the highest 5 with $3 million in ticket gross sales, buoying its home tally to $98.1 million. The movie, directed by Denis Villeneuve and tailored from Frank Herbert’s seminal novel, is predicted to surpass the $100 million mark within the coming week.

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