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‘Vespertine’ and mmeadows – The Village Voice

Kristin Slipp: It’s not possible to decide on one favourite album however up there in our prime 5 is Björk’s Vespertine.

I used to be in faculty after I first heard it. I recall many evenings spent in my attic bed room in Boston listening to the vinyl by means of my mother’s Marantz receiver. Björk is particular in 1,000,000 methods; one factor she does so properly on all her data is create a sense of maximum intimacy with the listener.

The vocal therapy is usually bone-dry, shut-mic’d, each inhalation on show. She describes the soundworld she constructed on Vespertine as a “huge embroidery piece,” which creates a gentle, expansive mattress on which her muscular-but-delicate vocals lie.

It comprises a number of plucky, icy sounds but in addition a lot crackle and heat, an ideal stability of yin and yang. And the lyrics are gentle and sentimental in a method I believe solely Björk can get away with.

Earnestness can come off as saccharine, however in some way when she does it, it solely attracts me nearer. It’s like she’s whispering a secret to me and solely me. In writing about it, I believe I’ve satisfied myself that that is, certainly, my very favourite album in spite of everything.

“Working On Me,” mmeadows’ new single, is out now. The Mild Strikes Round You album is our February 3.




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